Daniella Pineda 12/9/24 Daniella Pineda 12/9/24 Complexity: Kundera, Huston, Baldwin, Rushdie, Mabanckou, Laferrière Read More Daniella Pineda 12/9/24 Daniella Pineda 12/9/24 Choices Of Genre: Decolonizing Western Cultural Stereotypes Read More Daniella Pineda 11/27/24 Daniella Pineda 11/27/24 Writing Oneself as Another: Rousseau, Saïd, Barthes, and Perec Read More Daniella Pineda 11/11/24 Daniella Pineda 11/11/24 Stylistic Brilliance vs Depth of Feeling: Nabokov vs Berberova Read More Daniella Pineda 3/15/24 Daniella Pineda 3/15/24 On Decolonizing Literature: In Conversation with Senghor and Ngugi Read More Daniella Pineda 6/8/23 Daniella Pineda 6/8/23 Understanding the Terms and Conditions Read More Daniella Pineda 6/6/23 Daniella Pineda 6/6/23 Engaging with the Past Through Film in “Shine” and “Balibo” Read More Daniella Pineda 5/22/23 Daniella Pineda 5/22/23 “The Songline is Alive in Mukurtu”: Return, Reuse, and Respect Read More Daniella Pineda 12/8/22 Daniella Pineda 12/8/22 The TikTok Cyberthreat: Why It Needs To Be Shut Down Read More
Daniella Pineda 12/9/24 Daniella Pineda 12/9/24 Complexity: Kundera, Huston, Baldwin, Rushdie, Mabanckou, Laferrière Read More
Daniella Pineda 12/9/24 Daniella Pineda 12/9/24 Choices Of Genre: Decolonizing Western Cultural Stereotypes Read More
Daniella Pineda 11/27/24 Daniella Pineda 11/27/24 Writing Oneself as Another: Rousseau, Saïd, Barthes, and Perec Read More
Daniella Pineda 11/11/24 Daniella Pineda 11/11/24 Stylistic Brilliance vs Depth of Feeling: Nabokov vs Berberova Read More
Daniella Pineda 3/15/24 Daniella Pineda 3/15/24 On Decolonizing Literature: In Conversation with Senghor and Ngugi Read More
Daniella Pineda 6/6/23 Daniella Pineda 6/6/23 Engaging with the Past Through Film in “Shine” and “Balibo” Read More
Daniella Pineda 5/22/23 Daniella Pineda 5/22/23 “The Songline is Alive in Mukurtu”: Return, Reuse, and Respect Read More
Daniella Pineda 12/8/22 Daniella Pineda 12/8/22 The TikTok Cyberthreat: Why It Needs To Be Shut Down Read More